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**ATTACHED PICTURE IS A STOCK PHOTO.** new-old-stock with sealed/un-opened CD. With Keiti Ota (prominent Japanese illustrator with a deliciously noir-ish nightmare vibe interviewed by Ukawa Naohiro), Trey Spruance (over-the-top cultural paranoia tracts and denunciations by this member of Mr. Bungle and Secret Chiefs 3), Peg Murray (Cooks ’n’ Chefs ’n’ Their Assistants comix by U.S. Saucer bassist), John Wiese (interview with type designer, member of Bastard Noise, solo noise artist, and curator of Helicopter’s MoonLanding seven-inch series), James Goode (interview with San Francisco-based Mills College postgrad, and a short essay on “phylogenetic music,” excerpted from his Mills thesis), Reynols (photo-autobiography by celebrated Argentinean oddballs who have collaborated with Pauline Oliveros, released recordings of blank tapes and 10,000 chickens, and splashed around the limited edition noise CDR cesspool), Panicsville (hostile interview by Tina Gladden with this Midwest noise artist, raconteur, sculptor whose chosen medium is roadkill sealed in clear plastic, cartoonist with a unique quasi-kaleidoscopic style, and designer of handmade CD jackets for the Nihilist label), Vote Robot (Canadian duo with hotwired reel-to-reel decks and an uncanny knack for creating erotic electro-lullabyes), Polar Goldie Cats (Los Angeles-based instrumental quartet interviewed by Carla Bozulich and Nels Cline), Jazzfinger (English low-decibel noise duo with a strong cinematic sensibility, interviewed by Neil Campbell), and Octavian Nemescu (translation of an essay by Romanian “new complexity” composer [contemporary of Dumitrescu and Anatol Vieru, known for heavily layered, polystructural works for various instrumental combination and tape], calling for a return to conceiving of music as an initiative, participatory event made of “energy ladders"). check out my other items. more fun/interesting stuff. orders of multiple items: I can refund the difference if you are overcharged. feel free to remind me when you order, but I *should* catch it.